This genre is known as “casta paintings” and is organised in series, each of which generally comprises 16 paintings in which the most common unions are shown. But in a number of casta paintings, they are also shown apart from "civilized society," such as Miguel Cabrera's Indios Gentiles, or indios bárbaros or Chichimecas barely clothed indigenous in a …
. Las castas” – Painting containing complete set of 16 casta combinations.
Spaniard and Indian Produce a Mestizo, attributed to Juan Rodriguez.
Many famous artists, including Juan Rodríguez Juárez, Miguel Cabrera, and Juan Patricio Morlete Ruiz, produced casta paintings. “De negro y de india, china cambuja”, 1763, Miguel Cabrera, Museum of the Americas, Madrid, Spain. It is likely that many casta paintings were produced for export back to Spain, as part of an effort by artists in the viceroyalty to demonstrate their skill and sophistication, as well as the wealth and productivity of New Spain.
We usually do not think that the casta paintings could be a nice portrayal of black people, but there are many pieces of this genre of paintings that I find really charming and lovely. In 1746 Dr. Andrés Arce y Miranda, a creole attorney from Puebla, Mexico, criticized a series of paintings known as the cuadros de castas or casta paintings. The pseudo-scientific casta system of racial categories had 16 parts, beginning with eight paintings that put Spanish men at the top.
Go deeper. . Casta paintings is a Cabrera’s set originally comprised 16 separate canvases: eight paintings are now in the Museo de América, Madrid; five are in a private collection in Monterrey, Mexico (Collection of Lydia Sada de González, now in the Museo de Historia Mexicana); one is in the MultiCultural Music and Art Foundation of Northridge, California. He created religious and secular art for the Catholic Church and wealthy patrons.
“From Spaniard and Morisca, Albino” by Miguel Cabrera is one in a set of 16 casta paintings, and the only one that retains its original molding and rod. In 1763 Cabrera created his famous (and only known) set of casta paintings, a uniquely Mexican pictorial genre documenting the process of racial mixing among the colony’s inhabitants: Amerindians, Spaniards, and Africans. Officials referred to them to properly pigeonhole people. See more ideas about American history, Painting and History.
It is representative of a painting style developed in the viceroyalty of New Spain throughout the 18th century. Racial labels in a set of eighteenth-century Mexican casta paintings by Miguel Cabrera: De Español e India, nace Mestiza; De Español y Mestiza, nace Castiza
Colonial Americas. Casta paintings cataloged the human heterogeneity of Spain’s New World empire by organizing its inhabitants into families and these families into larger series. In 1763, the highly regarded Mexican painter Miguel Cabrera (c. 1715–1768) created sixteen paintings of castas (castes) in the New World. This is the currently selected item. The Indias in casta paintings depict them as partners to Spaniards, Blacks, and castas, and thus part of Hispanic society. The title of this painting identifies
The European conquest of Latin America beginning in the late 15th century, was initially executed by male soldiers and sailors from the Iberian Peninsula (Spain and Portugal). The book, which is handsomely produced as a coffee-table art book, includes numerous examples of casta paintings, many in full color. II Miguel Cabrera is best known for a set of sixteen casta paintings: Mexican colonial representations of mixed-race people. 1763 Caste Painting Series by Miguel Cabrera (c 1695-1768) De Castizo y Mestiza; Chamizo “New World Orders: Casta Painting & Colonial Latin America” The intimate, family portrayals of the racial mixing of the melting pot of the Americas forged from New World colonialism & Spanish Catholicism.
In theory, and as depicted in eighteenth-century Mexican casta paintings, español status could also be restored to the offspring of a Castizo/a [mixed Spanish - Mestizo] and an Español/a. Cabrera, Portrait of Sor Juana Inés de la Cruz.
Spaniard and Indian Produce a Mestizo, attributed to Juan Rodriguez.
Casta paintings show family groupings consisting of a man, a woman, and their child (or, occasionally, children), all helpfully labeled with their “castes” (Figure I).
A typical set might comprise individual paintings with cap-tions similar to those shown in Table I. While most of the artists remain anonymous, those who have been identified include some of the most prominent painters in eighteenth-century Mexico including Miguel Cabrera, Juan Rodríguez Juárez, José de Ibarra, José Joaquín Magón, and Francisco Vallejo.
However, this book is much more than a coffee-table publication. Most were produced in Mexico in the eighteenth cen-tury. Feb 22, 2019 - Mixed race families from 17th/16th century New Spain, Now Mexico.
See another example of a set of Casta paintings. Mostly they show some truly warm, loving families.
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